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	<title>Tunerami &#187; Rolling Stone Reviews</title>
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	<description>Where Music Lives</description>
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		<pubDate>Tue, 12 Oct 2010 23:20:17 +0000</pubDate>
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				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[Die Antwoord are rap&#39;s new aliens: a trio of &#34;zef&#34; (i.e., white trash) South Africans led by an MC with a craggy, off-his-meds flow and a pipsqueak hype girl with a crazy mullet. Their major-label debut piles up techno beats, Afrikaans lyrics and choruses that sound like warped schoolyard chants, &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>Die Antwoord are rap&#39;s new aliens: a trio of &quot;zef&quot; (i.e., white trash) South Africans led by an MC with a craggy, off-his-meds flow and a pipsqueak hype girl with a crazy mullet. Their major-label debut piles up techno beats, Afrikaans lyrics and choruses that sound like warped schoolyard chants, &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/218757">Read More</a></p>
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		<title>Old 97&#8242;s</title>
		<link>http://www.tunerami.com/old-97s/</link>
		<comments>http://www.tunerami.com/old-97s/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 23:20:17 +0000</pubDate>
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				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[&#34;Take ya to the Tate Museum,&#34; sneers Rhett Miller on his band&#39;s eighth LP, begging a question: Why would Dallas twang rockers name-check a British tourist attraction — over a Clash-style guitar stomp, no less? It&#39;s because the Old 97&#39;s have always been Anglophiles, and 15 years into their career, &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>&quot;Take ya to the Tate Museum,&quot; sneers Rhett Miller on his band&#39;s eighth LP, begging a question: Why would Dallas twang rockers name-check a British tourist attraction — over a Clash-style guitar stomp, no less? It&#39;s because the Old 97&#39;s have always been Anglophiles, and 15 years into their career, &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/218763">Read More</a></p>
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		<title>Swanlights</title>
		<link>http://www.tunerami.com/swanlights/</link>
		<comments>http://www.tunerami.com/swanlights/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 23:20:17 +0000</pubDate>
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				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[The challenge for Antony Hegarty is just how best to use that quivering, purring, sobbing, ecstatic, altogether original voice. Though he&#39;s a great disco diva (see Hercules and Love Affair&#39;s 2008 &#34;Blind&#34;), his Johnsons work tends toward the sepulchral. On their fourth set, ghosts still haunt Hegarty&#39;s piano-and-string-sketched chamber songs. &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>The challenge for Antony Hegarty is just how best to use that quivering, purring, sobbing, ecstatic, altogether original voice. Though he&#39;s a great disco diva (see Hercules and Love Affair&#39;s 2008 &quot;Blind&quot;), his Johnsons work tends toward the sepulchral. On their fourth set, ghosts still haunt Hegarty&#39;s piano-and-string-sketched chamber songs. &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/218767">Read More</a></p>
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		<title>The Union</title>
		<link>http://www.tunerami.com/the-union/</link>
		<comments>http://www.tunerami.com/the-union/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 18:20:12 +0000</pubDate>
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				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[The Union is a rare gesture in a dying business: an act of gratitude. Elton John repays a long-standing debt of inspiration to Leon Russell — particularly the rowdy merger of soul, country and gospel rapture Russell perfected as a writer, pianist and arranger on 1969 and &#39;70 albums by &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>The Union is a rare gesture in a dying business: an act of gratitude. Elton John repays a long-standing debt of inspiration to Leon Russell — particularly the rowdy merger of soul, country and gospel rapture Russell perfected as a writer, pianist and arranger on 1969 and &#39;70 albums by &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/218714">Read More</a></p>
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		<title>Doo-Wops &amp; Hooligans</title>
		<link>http://www.tunerami.com/doo-wops-hooligans/</link>
		<comments>http://www.tunerami.com/doo-wops-hooligans/#comments</comments>
		<pubDate>Tue, 05 Oct 2010 16:20:10 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[Turn on your radio. Hear that voice, a feathery tenor with a hint of soulful grit? It belongs to Bruno Mars, the 25-year-old Hawaiian newcomer featured on smash hits like B.o.B&#39;s &#34;Nothin&#39; on You&#34; and Travie McCoy&#39;s &#34;Billionaire.&#34; Doo-Wops &#38; Hooligans proves that Mars is a natural — a lavishly &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>Turn on your radio. Hear that voice, a feathery tenor with a hint of soulful grit? It belongs to Bruno Mars, the 25-year-old Hawaiian newcomer featured on smash hits like B.o.B&#39;s &quot;Nothin&#39; on You&quot; and Travie McCoy&#39;s &quot;Billionaire.&quot; Doo-Wops &amp; Hooligans proves that Mars is a natural — a lavishly &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/215561">Read More</a></p>
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		<title>Tiger Suit</title>
		<link>http://www.tunerami.com/tiger-suit/</link>
		<comments>http://www.tunerami.com/tiger-suit/#comments</comments>
		<pubDate>Tue, 05 Oct 2010 16:20:09 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[KT Tunstall turned heads in 2004 with just the power of her voice and her guitar, but the intervening years have found her showing little interest in being just another worked-up folkie. On her third album, Tiger Suit, she leavens sleek pop songs with her warm-whiskey rasp, clawing against the &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>KT Tunstall turned heads in 2004 with just the power of her voice and her guitar, but the intervening years have found her showing little interest in being just another worked-up folkie. On her third album, Tiger Suit, she leavens sleek pop songs with her warm-whiskey rasp, clawing against the &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/215565">Read More</a></p>
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		<title>I Am Not a Human Being</title>
		<link>http://www.tunerami.com/i-am-not-a-human-being/</link>
		<comments>http://www.tunerami.com/i-am-not-a-human-being/#comments</comments>
		<pubDate>Thu, 30 Sep 2010 16:20:09 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[What&#39;d you expect, &#34;Folsom Prison Blues&#34;? Lil Wayne has released his eighth studio album while still incarcerated on New York&#39;s Rikers Island, serving the final weeks of a sentence for attempted criminal possession of a weapon. But gritty jailhouse music this ain&#39;t. I Am Not a Human Being, which Wayne &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>What&#39;d you expect, &quot;Folsom Prison Blues&quot;? Lil Wayne has released his eighth studio album while still incarcerated on New York&#39;s Rikers Island, serving the final weeks of a sentence for attempted criminal possession of a weapon. But gritty jailhouse music this ain&#39;t. I Am Not a Human Being, which Wayne &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/212698">Read More</a></p>
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		<slash:comments>0</slash:comments>
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		<title>Lonely Avenue</title>
		<link>http://www.tunerami.com/lonely-avenue/</link>
		<comments>http://www.tunerami.com/lonely-avenue/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 07:20:22 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[Bob Dylan wrote most of Desire with a playwright, but collaborations between musicians and literary figures are usually pretty painful. This one isn&#39;t without promise: Nick Hornby&#39;s novel High Fidelity is a music-geek classic, and Ben Folds is great at turning wordy lyrics into crafty pop. But formal knowledge works &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>Bob Dylan wrote most of Desire with a playwright, but collaborations between musicians and literary figures are usually pretty painful. This one isn&#39;t without promise: Nick Hornby&#39;s novel High Fidelity is a music-geek classic, and Ben Folds is great at turning wordy lyrics into crafty pop. But formal knowledge works &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/211150">Read More</a></p>
]]></content:encoded>
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		<title>Clapton</title>
		<link>http://www.tunerami.com/clapton/</link>
		<comments>http://www.tunerami.com/clapton/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 07:20:22 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[Eric Clapton basically makes two kinds of solo albums. There are his escapes from the strict letter and law of electric blues: the brisk white soul of 1970&#39;s Eric Clapton; the cruising-speed funk and reggae on 1974&#39;s 461 Ocean Boulevard; the 1992 smash Unplugged. Then there are the homecomings, like &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>Eric Clapton basically makes two kinds of solo albums. There are his escapes from the strict letter and law of electric blues: the brisk white soul of 1970&#39;s Eric Clapton; the cruising-speed funk and reggae on 1974&#39;s 461 Ocean Boulevard; the 1992 smash Unplugged. Then there are the homecomings, like &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/211156">Read More</a></p>
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		<title>Record Collection</title>
		<link>http://www.tunerami.com/record-collection/</link>
		<comments>http://www.tunerami.com/record-collection/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 07:20:22 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Rolling Stone Reviews]]></category>

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		<description><![CDATA[The album title cuts to the chase. Like all good DJs, Mark Ronson is first and foremost a collector, the kind of guy with untold 45s lining his loft. In his production work for Lily Allen and Amy Winehouse, he proved to be one of music&#39;s wonkiest wonks, bringing encyclopedic &#8230; Read More]]></description>
			<content:encoded><![CDATA[<p>The album title cuts to the chase. Like all good DJs, Mark Ronson is first and foremost a collector, the kind of guy with untold 45s lining his loft. In his production work for Lily Allen and Amy Winehouse, he proved to be one of music&#39;s wonkiest wonks, bringing encyclopedic &#8230;<br />
    <a href="http://www.rollingstone.com/music/reviews/album/45342/211166">Read More</a></p>
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